Time for practicing

I've been having a hard time finding time to practice the last couple of weeks. I know it's best to practice every day, even if only for 20 minutes, than to skip a day, or three, and try to make it up in a marathon practice session, but it has been hard finding even those 20 minutes.

Yesterday, I managed an hour and a half, but was so tired in the beginning (from lack of practicing) that it took 20 minutes just to warm up.

We have been playing Haydn's London Trios in our quartet though, so I have played through them several times, if imperfectly. How does a quartet play a trio, you might ask? Well, one night, the flutist was not able to come, so we were, in fact, a trio; and the second night, tonight, the violist played the cello part (which he had transposed for viola) with me, which seems to work fine. But, a little practicing would help me a lot.

I had asked the violist to transpose the part because I wanted, sometimes, to play flute and have him take the cello part, but, you know, as hard as it is to play the cello, it's harder not to.

Haydn's London Trios

For those not familiar with Haydn's London Trios, here are performances of the first and third (of four) trios by Cesar Peredo, Javier Rodriguez, and Marco Oiveros. The cello seems subdued in this, at least compared to when I played it (on flute) with another flute and cello. Our cellist was our most accomplished player, and he played so vibrantly that I felt like I was playing in a "cello forest." I liked it that way.

Haydn, London Trio no. 1.



Haydn, London Trio no. 3.

Flute as Cello

A few years ago, I played Haydn's London Trios (2 flutes and cello) as first flute, with another flutist and a cellist. I love these trios (especially playing with the cellist, who was very good, despite not having changed his strings in 30 years. Well, ok, that part annoyed me, but my hints that his tone might be even better if he bought new strings fell on deaf ears).

I am working on the cello parts now, hoping to play the trios with the flute quartet (all flutes). I play both flute and cello in the group, but have not played cello with them all winter, because sometimes it is just easier to leave my big bulky instrument at home and take only a flute.

So, I found a version of the London Trios for 2 C flutes, alto flute and bass flute. Alto and bass play essentially the same part, the cello part. We have an alto flute in our quartet, but no bass flute, so, right now, I am playing the bass flute part on my C flute, which makes it an octave higher than it should be, but it sounds fine. I am also enjoying doubling the alto, I who generally prefer not to play doubled parts.

Oddly enough, the flute/alto flute is a reasonable substitute for the cello. It is also helpful in terms of reminding me of the tempos, the rhythms, etc., and so my playing of the music on my cello is benefiting. Eventually, the weather will warm up, and I will bring my cello to play with the group. I will still be doubling the alto flute, but, this way, all four of us get to play these lovely pieces, and it can be comforting to hear someone else playing the same part.

The cello parts are both relatively easy and interesting, and I love the flute parts; and it is fun playing a piece that I know the other parts to. Sometimes, in sightreading unfamiliar music with the other flute quartet (flute/violin/viola/cello), I am so intent on my part that I can't appreciate the others (or even recognize the piece from the upper parts), so I am enjoying this.